![]() As for the band's trademark dynamics? Here, they feel like they're on the verge of exploding. It's always been difficult to single out just one member of the band given the cohesive bluster the ensemble achieves as a whole, but this collectible audiophile edition allows you to do just that if you so choose, by way of superb imaging and separation. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g vinyl LP achieves a sonic acumen that brings you face-to-face with the sextet's white-hot instrumental prowess and magnetic personalities. And now it rolls with an abandon that takes you inside the sweaty, smoky roadhouses and wall-to-wall-packed clubs the group dominated in it's heyday. Shot through with raw, lean rock n' roll sparked by juke-joint blues and loose rhythms, the 1971 set comes on like the most fun, party-still-raging hangover any group in the 70s enjoyed. Geils Band's sophomore album tell you all you need know about the music, spirit, and energy spilling from within The Morning After. The trashed hotel room and communal living depicted on the cover of the J. Mastered from the Original Master Tapes and Limited to 3,000 Copies: Mobile Fidelity Numbered-Edition 180g Vinyl LP Explodes with Lively Dynamics, Realistic Tones, and Gut-Punching Rhythmsīarn-Burning 1971 Album Ignores the Rules, Skirts Curfews, and Digs Deep into America's Rhythm-and-Blues Roots to Make Feet Stomp and Pulses Race Geils Band Setlists for free on setlist. Geils Band's The Morning After Features Ace Performances by Harmonica Player Magic Dick Salwitz and Vocalist Peter Wolf Geils Band Setlist of the concert at University of North Carolina at Charlotte, Charlotte, NC, USA on Janufrom the The Morning After Tour and other The J. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.Spirited, Blues-Driven Rock n' Roll Comes on Like a Never-Ending Party: J. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient - allowing engineering to minimize the effects of inherent limitations within the vinyl format. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. Jacket worn, with top and bottom seams split from opening to spine. Geils Band Arranged By Danny Klein Bass Sam Cooperstein Design Album Stephen Bladd Drums, Vocals Lee Kiefer Engineer Assistant Production J. ![]() Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information. A few light surface/sleeve marks are not feelable or play altering. Geils Band The Morning After More images Tracklist Credits (16) The J. ![]() Geils Band were well on their way to becoming one of the best rock & roll bands of any era.” AllMusic Review by Tim Sendra ![]() Featuring the original versions of songs that became radio staples in their live incarnations ("Looking for a Love," the Magic Dick showcase "Whammer Jammer"), a batch of covers of rare soul gems ("So Sharp," Don Covay's "The Usual Place," the aforementioned "Looking for a Love"), and some fine originals (the rip-roaring opener "I Don't Need You No More," the very funky "Gotta Have Your Love," and the heart-rending ballad "Cry One More Time," which was covered memorably by Gram Parsons on G.P.), The Morning After is definite proof that the J. It's more of the same winning blend of rocked-out blues, jumped-up soul, and pure rock & roll wildness with enough attitude and energy to get a club full of people from zero to sweaty in less than 60 seconds. “The Morning After is a near perfect follow-up to the J. It Ain't What You Do (It's How You Do It).Mastered by Krieg Wunderlich at Mobile Fidelity Sound Lab, Sebastopol, CA Juke Joint Jimmy is a pseudonym used by The J. Written by Peter Wolf (A1, A5, B2-4), Seth Justman (A1, A5, B2-4), Juke Joint Jimmy (A2, B5), Arlester Christian (A3), Don Covay (A4), Leroy Randolph (A4). ![]()
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